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10-16-2000 VERSION 1.1

   This is a list of publications that have something to do with Ambisonics.
 This is not a complete list. If you know of other articals about Ambisonics
sound, please pass them on.

    For additions to this list, include:
    1. Author
    2. Title of publication
    3. Publication the artical was printed in
    4. Month and year of publication and vol. number if used
    Please send any additions or corrections to this list to :
               /|\               *     Mark Anderson
              / | \     *              multichannel AT
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    This list can be accessed from :
    1. List compiled by : Eero Aro
    Contents: Ambisonic Publications
    STUDIO EQUIPMENTDECODERSMATRIXINGMATRIX - HReferences to Ambisonics papers, provided by Michael Gerzon
    Larry Clifton's MultiChannelSound Shop - MCS Review On-Line Reprints

    Duane H. Cooper, Takeo Shiga: Discrete-matrix multichannel stereo, JAES,
    June 1972, Vol.20, No:5
    Michael Gerzon: Periphony: With-height sound reproduction, JAES Jan/Feb.
    1973, Vol.21, No:1
    Michael Gerzon: Surround-sound psychoacoustics, Criteria for the design
    of matrix and discrete surround-sound systems. Wireless World, December
    1974, pp. 483-485.
    Peter Fellgett: Ambisonics. Part One: General system description. Studio
    Sound, August 1975, p. 20-40.
    Michael Gerzon: Compatible 2-channel encoding of surround sound. NRDC
    reprint from Electronics Letters 11th Dec. 1975 Vol.11 Nos: 25/26.
    Michael Gerzon: Multidirectional sound reproduction systems, US Patent
    3,997,725. Dec. 14 1976
    Michael Gerzon: The optimum choice of surround sound specification.
    AES preprint No:1199, March 1977.
    Michael Gerzon: NRDC surround sound system. Wireless World, April 1977,
    p. 36-39. 
    Michael Gerzon: Criteria for evaluating surround sound systems. JAES
    June 1977, Vol 25, No:6, p.400-408.
    Peter Craven, Michael Gerzon: Coincident microphone simulation covering
    three dimensional space and yielding various directional outputs, US
    Patent 4,042,779. Aug. 16, 1977
    Michael Gerzon: Sound reproductions systems with augmentation of image
    definition in a selected direction, US Patent 4,081,606. March 28, 1978
    Michael Gerzon: Sound reproduction system with non-square loudspeaker
    lay-out, US Patent 4,086,433. Apr. 25, 1978
    Michael Gerzon: Non-rotationally-symmetric surround-sound encoding
    system, US Patent 4,095,049. June 13, 1978
    Adrian Hope: Surround sound patents, will the future of surround sound
    depend on patent bargaining? Wireless World, Jan 1979, p. 57-58.
    Michael Gerzon: Sound reproduction system with matrixing of power
    amplifier outputs, US Patent 4,139,729. Feb. 13, 1979
    Michael Gerzon: Sound reproduction systems, US Patent 4,151,369.
    Apr. 24, 1979
    Adrian Hope: Ambisonics - The theory and patents. Studio Sound,
    Oct 1979, p.36-44.
    Michael Gerzon: Practical periphony: The reproduction of full-sphere
    sound, AES Preprint 1571, London 1980
    Michael Gerzon: Decoders for feeding irregular loudspeaker arrays, US
    Patent 4,414,430. Nov. 8, 1983
    Michael Gerzon: Ambisonics in multichannel broadcasting and video. JAES
    Vol 33, No:11, Nov.1985 p.859-871.
    Dermot J. Furlong: Comparative study of effective soundfield
    reconstruction. AES preprint 2842, Oct 18-21.1989.
    Michael Gerzon: Hierarchical system of surround sound transmission for
    HDTV, AES Preprint 3339, Vienna 1992
    Michael Gerzon: Ambisonic decoders for HDTV, AES Preprint 3345, Vienna
    Quadrille. Elektor Sept. 1976, p.20-22.
    Das Kugel-modell. Elektor Sept. 1976, p.23-25.
    G. Theile, G. Plenge: Localization of lateral phantom-sources. AES
    preprint B-5, 1976, Zrich
    Philip Vanderlyn: Auditory cues in stereophony, importance of transients
    in nature and in stereophony. Wireless World Sept. 1979, p.55-60.
    Sakamoto, Gotoh, Kogure, Shimbo: Controlling sound image localization in
    streophonic reproduction. JAES Vol.29, No:11, Nov. 1981, p.794-799.
    Moulton, Ferralli, Hebrock, Pezzo: The localization of phantom images in
    an omnidirectional stereophonic loudspeaker system. AES preprint 2371,
    Nov. 1986.
    Brian C.J. Moore: An introduction to the psychology of hearing, Space
    perception. p.150-184.
    Gary S. Kendall, William L. Martens: Simulating the cues of spatial
    hearing in natural environments. ICMC 84 Proceedings, p.111-125.
    Komiyama: Subjective evaluation of angular displacement between picture
    and sound directions for HDTV sound systems. JAES Vol.37, No:4, April
    1989, p.210-214.
    James M. Kates: Optimum lodspeaker directional patterns. JAES, Nov 1980,
    Vol 28, No:11, p.787-794.
    Denis Vaughan: New directions in stereo, Ear exercises for experts.
    Studio Sound, July 1981, p.62-66.
    J.C. Bennett, K. Barker, F.O. Edeko: A new approach to the asessment of
    stereophonic sound system performance. JAES Vol.33, No:5, May 1985, p.
    Woram: Sound recording handbook. Music, electronics, psychoacoustics:
    Localization parameters. p.54-59.
    Don and Carolyn Davis: In-the-ear recording and pinna acoustic response
    playback. AES preprint 2874, Oct. 1989.
    Ewan A. Macpherson: A computer model of binaural localization for stereo
    imaging measurement. AES preprint 2866, Oct. 1989.
    Gary C. Eckmeier: An image model theory for stereophonic sound. AES
    preprint 2869, Oct. 1989
    Peter Fellgett: Ambisonics. pp.44-48. New Electronics, 1970???
    Michael Gerzon: Don't say quad - say psychoacoustics. New Scientist, 8th
    Dec. 1977
    John Borwick, Larry Zide: From England: The ambisonics system. Db,
    August 1978, p.29-31.
    P. Fellgett: Accuracy in sound reproduction. Studio Sound, March 1981,
    Peter Fellgett: Naturalness and artificiality in recording. Studio
    Sound, April 1981, p.40-41.
    Richard Elen: Correction to the above article in Studio Sound, May 1981.
    Peter Carbines: Ambisonics - Circles of confusion. Studio Sound, Aug.
    1982, p.60-61. 
    Richard Elen: Ambisonics - Questions and answers. Studio Sound Oct.
    1982, p.62-64.
    Nigel Branwell: Ambisonic surround sound technology for recording and
    broadcast. Reprint from Recording engineer and producer Dec. 1983.
    Richard Elen: Ambisonics for audio visual. Broadcast Sound, Nov./Dec.
    1983, p.52-54.
    Richard Elen: Surround sound. Studio Sound, Feb. 1984, p.36-38.
    Ted Fletcher: Mono, stereo or ambisonic? Studio Sound, July 1984,
    Barry Fox: Hindsight, a look again at Ambisonics surround sound,
    Broadcast technology international, Oct. 1985.
    John Borwick: Ambisonics revisited. Gramophone, April 1986, p.1347
    Barry Fox: We haven't seen the back of ambisonics. Line UP (?) June
    1987, p.60.
    Rundherum, das ist nicht schwer... Das ambisonics surround sound system.
    Studio Magazin, 1988???, p.18-23.
    Richard Elen: Surround sound. Sound recording practise, 3rd ed. p.201
    Brian C.J. Moore: An introduction to the psychology of hearing:
    Multichannel reproduction. p.249-253.
    Adrian Farmer: Ambisonics - A musical technology. Nimbus catalogue 1989.
    Trevor Butler: Surrounded! Hi-Fi News & Record rewiev, February 1989,
    Audio & Design/Calrec: TA: A report on the APRS - BTG ambisonic seminar,
    5 pages. 
    Roger Derry: Surrounded with secrecy, Ambisonics and Dolby Stereo. Line
    Mel Lambert: IBA Ambisonic mobile. Sound International Sept. 1979.
    Chris Daubney: Ambisonics - an operational insight. Studio Sound, Aug.
    1982, p.52-58.
    Ted de Bono: Gilgamesh, The epic of the epic. Broadcast Sound, Jan./Feb.
    1983, p.10-15.
    Peter Fellgett: Ambisonic epic. Comments on the above article in some
    following issue of Broadcast Sound.
    Mike Skeet: October Sound. Describing an ambisonic recording by John
    Whiting. Studio Sound, Feb. 1983, p.62-64.
    Richard Elen: Ambisonic mixing - an introduction. Studio Sound, Sept.
    1983, p.40-46.
    Julian Colbeck: Steve Hackett and ambisonics. Sound Engineer, Oct. 1984,
    Mike Skeet: Ambisonics round and round. Studio Sound Sept. 1985, p.78
    Mike Skeet: Glyndebourne panned. Studio Sound, Feb. 1986, p.35-36.
    David Moore: Surround sound for video, an ambisonic visual postcard.
    Recording Engineer/Producer, Dec. 1986, p.64-70.
    John Whiting: Live surround sound. Studio Sound, July 1988, p.74-76.
    Zenon Schoepe: REL Studios - Ambisonics, the golden mean and a large
    live room in Edinburgh. Sound, Dec. 1988, pp.28-30.
    Caroline Moss: Xylo's Turbine power. Pro Sound News, No:? 1989.
    Bauer, Abbagnaro, Gravereaux, Marshall: The Ghent microphone system for
    SQ quadraphonic recording and broadcasting. AES preprint No:1210, March
    Soundfield microphone: A new way to record. Elektor May 1978.
    Benjamin B. Bauer: The Ghent microphone system. Db, Aug. 1978,
    Kondensator-Quadromikrophon QM69. Neumann GMBH Katalog 110.
    Michael Gerzon: Experimental tedrahedral recording, Parts one to three.
    Wireless World ?? p. 396-398, 472-475, 510-515.
    J. Howard Smith: The sound field microphone. Db, July 1978, pp.34-36.
    Ken Farrar: Soundfield microphone - 1. Design and development of micro-
    phone and control unit. Wireless World, Oct. 1979, p.48-50.
    Ken Farrar: Soundfield microphone - 2. Detailed functioning of control
    unit. Wireless World, Nov. 1979, p.99-103.
    J. Howard Smith: Ambisonics - the Calrec soundfield microphone. Studio
    Sound, Oct. 1979, p.42-43.
    Richard Elen: Ambisonics - Soundfield experience. Studio Sound, Oct.
    1979, p.46-49. 
    Nigel Branwell: The Calrec soundfield microphone system. Db, June 1982,
    Hugh Ford: Calrec Model 3B Soundfield microphone system. Studio Sound,
    Sept. 1982, p.80-84.
    Peter Carbines: Calrec model 3A - an operational assessment. Studio
    Sound, Sept. 1982, p.86-89.
    John Whiting: The Calrec Soundfield - as a stereo microphone. Studio
    Sound, Dec. 1983, p.66-68.
    Calrec advertisment in Studio Sound Jan. 1984, Soundfield MK IV.
    D.S.Jagger: Recent developments and improvements in soundfield micro-
    phone technology. AES preprint No:2064, March 1984.
    Ralph Denyer: Practical Soundfield. Interview with Jerry Boys. Studio
    Sound, July 1984, p.74-76.
    Mike Skeet: Classical ambience. Studio Sound, Feb. 1987, p.60-63.
    Audio & Design/Calrec Inc. 4-colour brochure of MK IV. 1988?
    Calrec Soundfield MK IV user manual.
    Lowell Cross: Performance assessments of studio microphones. Additional
    stereo evaluations of 15 models at the University of Iowa School of
    music, Part two. Reprint from the Recording Engineer/Producer, Feb. 1985.
    Lowell Cross: Stereo microphone evaluations: An overview of techniques
    and subjective assessments. Recording Engineer/Producer, Aug. 1987,
    Stanley P. Lipshitz: Stereo microphone techniques... Are the purists
    wrong? JAES Vol 34, No:9, Sept. 1986, p.716-744.
    David Hastilow: Soundings on Soundfield. Studio Sound April 1989,
    Calrec advertisement in Studio Sound 1989? The Soundfield interview.
    Peter Waterman interviewed.
    AES Convention News, Hamburg 1989: AMS/Calrec introduce M/S stereo mic.
    Tim Frost: New mics at APRS '89. Pro Sound News 1989?
    Woram: Sound recording handbook: The Soundfield microphone
    John Steane: Horn of plenty. Nimbus-Halliday ambisonics recording
    system. Gramophone Oct. 1989, p.616.
    A page from Schoeps catalogue, figure-8 capsule MK8 used in the Nimbus
    A Nimbus Ad from Gramophone, How could we possibly design an ordinary
    Nimbus composite mic uses B&K 4006. Line-Up Dec. 1990. p.5.
    An advertisement from Studio Sound: AMS 250 microphone
    Studio Sound, May 1990: Microphones: AMS 250 stereo microphone
    AMS: ST250 Stereo microphone. User guide, 15 pages.
    Audio & Design brochure of signal processing equipment.
    New products: Encoder completes UHJ system. Studio Sound, Sept. 1981,
    Product quide: Ambisonics. Studio Sound, Aug. 1982, p.38.
    Peter Carbines: Abacoid 9211 professional ambisonic decoder. Studio
    Sound Aug. 1982, p.62.
    Tom Gandy: Audio & Design leaflet: When you look at a transcoder, you
    are looking at the future of broadcast stereo tv. Dec. 1985.
    Michael Gerzon: Ambisonics. Part Two: Studio techniques. Studio sound,
    Aug. 1975, p.24-30.
    NRDC: Some production facilities available in ambisonics. Nov. 1977.
    David G. Malham: Computer control of ambisonic soundfields. AES pre-
    print No: 2463, March 1987.
    Dave Malham: Digitally programmable soundfield controller. Studio Sound,
    No:2, 198?, p.75.
    AES Convention News, London 1987: Computer control of ambisonic sound-
    Audio & Design: Operating Instructions for the Ambisonics mastering package.
    Surrey Electronics: Stereo and ambisonics coder MPX4
    Spatial Sound Inc. SP-1 Spatial Sound Processor, leaflets, brochures
    P. Fellgett, M. Gerzon: From quadro to surround sound. (Basics and
    decoder schematic diagram) Elektor May 1977, p.19-25.
    Michael Gerzon: Surround sound decoders - 5. Variomatrix adaptor for
    system 45J and Matrix H. Wireless World May 1977, p.50-51.
    Michael Gerzon: Surround sound decoders - 6. Multi-system ambisonic
    decoder. 1 - Basic design philosophy. Wireless World July 1977, p.43-47.
    Michael Gerzon: Surround sound decoders - 7. Multi-system ambisonic
    decoder. 2 - Main decoder circuits. Wireless World Aug. 1977, p.69-73.
    Michael A. Gerzon: Design of ambisonic decoders for multispeaker
    surround sound. AES, Nov. 1977.
    News: Ambisonic decoder. (IMF) Studio Sound, Dec. 1980, p.22.
    Peter Fellgett: Directional information in reproduced sound, Wireless
    World, September 72, pp.413-417.
    Peter Scheiber: 360 degrees space in two channels. DB, Jan 1978,
    Edward T. Canby: Column, about Scheiber decoder. Audio, May 1978.
    B.B.Bauer:Quadraphony, matrixing and compatibility. E.B.U. Review 
    -Technical Part, Dec. 1974. pp. 268-274.
    James V. White: Synthesis of 4-2-4 matrix recording systems. JAES May
    76, Vol 24, No:4. pp.250-257.
    D.J. Meares, P.A. Ratliff: The development of a compatible 4-2-4
    quadraphonic matrix system, B.B.C. Matrix H.  E.B.U Review 
    - Technical part No: 159, Oct. 1976, p.208-217.
    BBC Engineering training department: Quadraphony - Matrix H data.
    Printed board wiring, Circuit diagram, Component assembly.
    P.S. Gaskell, P.A. Ratliff: Quadraphony: Developments in Matrix H
    decoding. BBC Research Department, Engineering Division, Feb. 1977.
    BBC Radio: A demonstration record of broadcast standard quadraphonic
    programme material recorded with the BBC Matrix H system. List of
    BBC Engineering information department, Publicity section: Additional
    information on BBC/NRDC System HJ, System HJ tolerance zones.

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